This replica of an original civil war poster is one of many electronic exhibitions on the the Valley of the Shadow archives.  The display provides an example of the tension between rhetoric and philosophy.  Click here to see the full-size replica.   The document embodies a near perfect mixture of documentary and exhibitionary elements of the electronic archive. The poster is entirely legible, and thus conveys its meaning to the viewer -- a $30 reward for the arrest of deserters, who may be court-marshalled upon their return.  But as important as the content is the form of the information presented.  The wrinkles and creases of the original are reproduced electronically with almost three-dimensional, tactile qualities.  This rhetorical device is pleasurable for the viewer. It also establishes authenticity. The formal presentation creates verisimilitude.   The pleasure, authenticity and verisimilitude complement the philosophy conveyed -- the potential courtmarshall of the missing soldiers seems real;  the possible explanations for a soldier's desertion may come more vividly to mind.  Was the "Feigned sickness" a result of failed courage?  See Red Badge of Courage.  Perhaps the deserters objected to the philosophical cause, even sympathized with the enemy (the emancipators).  The moral issues are presented dramatically.  In addressing such issues, the viewer oscillates between the rhetoric and the binary philosophies.  Perhaps the deserted soldiers themselves objected to the "rhetoric" of the dispute -- i.e., violence and death. The form of the information also allows a viewer to sympathize with the author of the poster.  He is a man doing his job, the fruits of which we can almost touch.  Significantly, the presentation of the replica without commentary creates a neutral and authentic text.  



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        HAMLET


        Neutrality in the Vale.

        Rhetoric valiently defended.

        Apologetics of the Love of Wisdom