Professor Shelley Fisher Fishkin

University of Texas, Austin

Graduate Research Seminar

AMC 390
Fall l994


Century's End: Race and Gender at the Turn of the Century

COURSE OUTLINE:
This course is designed as a preliminary exploration of the some of the ways in which issues of race and gender were constructed and construed in America from about l890 to about l9l4. We will read nine primary texts of literary and/or historical importance that are concerned, at their core, with one or more of these subjects, and will try to set the texts and the themes that are central to them in a larger cultural and historical context.
The course is also designed to introduce graduate students to the archival resources of the University of Texas at Austin. We will meet in the Humanities Research Center, and will use HRC materials at each class meeting. In addition, students will be expected to find other primary sources that have bearing on the central concerns of the course in the manuscript, book, newspaper and periodical holdings of the HRC, the Perry-Castaneda Library and the Barker Texas History Center.
Bibliographies to aid you in your research are attached. While the emphasis of the class is on using primary sources, the value of secondary sources in shaping our understanding of this period and its concerns should not be underestimated. The bibliographies include both primary and secondary materials.

WEEKLY REQUIREMENTS FOR THE COURSE:
1) A primary text is assigned for each week. These will include works by Anna Julia Cooper, Charlotte Perkins Gilman, Mark Twain, Ida B. Wells, Paul Laurence Dunbar, Theodore Dreiser, Charles W. Chesnutt, W.E.B. DuBois, and James Weldon Johnson.
2) After you read the main text assigned for each class meeting, find some primary source (or sources) that illuminates, in some interesting way, issues of race and gender raised in the main text and explain your insight in class. (Issues of class and ethnicity as they intersect with gender and race should be addressed as well.) Turn in a paragraph that briefly states the kinds of "connections" you endeavored to make and what you came up with; give full citations (including library location) for each of the primary sources you discuss. (These notes will not be graded, but a record of their having been turned in will be kept.) One possible approach involves using materials by the writer in question other than those read for class. Another approach involves finding materials from the period that shed interesting light on the class text and the issues it raises. Either approach is fine. Be creative!

OTHER REQUIREMENTS:
l) Each student is required to be the "facilitator" of the class during one class meeting. The facilitator(s) for each week's meeting should do extra research on l)the popular and critical reception of the primary text at the time of its publication and subsequently, and 2) historical events and issues that impinge on or illuminate the text and its reception. Facilitators should

  • A) be prepared to begin class with a fifteen-minute to twenty-minute oral report on these issues, and then
  • B) generate discussion questions surrounding them. (Facilitators need not turn in "connection" paragraphs during the week of their presentations.)
    2) Students are expected to write a 20-page research paper. This paper should frame a thesis regarding the construction of race and gender at the turn of the century, making use of primary sources and archival material.

    NOTE ON RESOURCES:
    The resources of the HRC will be used in class, and students are encouraged to explore HRC holdings in some depth. In addition to the literary manuscripts and archives and the book and periodical holdings on the fifth floor students should be aware of two other HRC collections housed on other floors and should feel free to explore them: l) the Photography Collection, and 2) the Theatre Arts Collection.
    The University of Texas's holdings in late nineteenth- and early twentieth-century newspapers and periodicals are spread over the HRC, the PCL and the Barker Texas History Center. Only a small fraction of these holdings are reflected in the attached bibliographies. A veritable treasure trove of additional sources are housed in each of these libraries. PCL and Barker periodical holdings are generally listed in UTCAT online terminals; HRC periodical holdings are not. HRC periodicals are listed in the bound volumes of computer printouts kept on the table in the back of the HRC reading room. Copies of HRC periodical printouts are available in the reference room of PCL as well. (Caution: many newspaper and periodical runs held by UT are incomplete.If you are looking for a specific article, don't rely on the computer alone to let you know if you will be able to locate it in time to use it.) If periodicals will be central to your large research project, try to locate them early on in the semester. A number of newspapers periodicals that UT libraries do NOT have are available for longterm loan from the Center for Research Libraries. These loans, which take 2-4 weeks to be processed, are handled through InterLibrary Loan. Newspapers and periodicals available through CRL -- such as complete runs of the Baltimore Afro-American -- are listed in UTCAT. Be sure to order such periodicals early in the semester if you plan to use them. Also, if you do place an order through CRL, please let the class know in case another student would like to use the paper or magazine as well. The Barker Texas History Center has invaluable resources that have bearing on the issues we will be dealing with in this course--including four African American newspapers from the turn-of-the-century (the Austin Weekly Bulletin, the Galveston City Times, the Galveston Tamborian, and the Pittsburg X-Ray), as well as many of the mainstream newspapers and periodicals of the time.

    NOTE ON HRC REGULATIONS:
    Having class meetings in the HRC entails certain privileges and obligations. The good news is that HRC materials will be readily available to you throughout the semester, and will be brought to the classroom for each class. The bad news is that the rules of the HRC reading room apply to everything that happens on the fifth floor. This means:
    l) Absolutely NO food or drink of any kind allowed in the building. We will have a break in the middle of class when you can go out for coffee, if you need it--but don't even THINK about bringing it in past the guard.
    2) You have to check your belongings at the door. Jackets, backpacks and purses may be left either on the ground floor or at the entrance to the fifth floor. Both areas are guarded.
    3) Pencils and yellow paper will be provided to you free of charge on the fifth floor. No pens allowed. No notebooks allowed. You are allowed to write on your own yellow writing tablets or loose yellow sheets. If you want to keep your notes for the class in a notebook, get a looseleaf notebook and take a few pages in with you for each class. These note pages will be stamped at the front desk on the fifth floor. (The looseleaf notebook itself is not allowed inside.) If you want to share with the class a xerox of material to which you refer in your "connections" paragraph, have that stamped at the desk as well. You will be allowed to bring your paperback copy of the primary text for each class into the seminar room--but no other books will be allowed.

    CLASS SCHEDULE:
    August 3lst

  • Introductory Session

    September 7th
  • Anna Julia Cooper primary text: A Voice From The South (l892)

    September l4th
  • Charlotte Perkins Gilman primary text: The Yellow Wallpaper (l892)

    September 2lst
  • Mark Twain primary text: Pudd'nhead Wilson (l894)

    September 28th
  • Ida B. Wells primary text: A Red Record (l895)

    October 5th
  • Paul Laurence Dunbar primary text: Lyrics of Lowly Life (l896)

    October l2th
  • Charles W. Chesnutt primary text: The Wife of His Youth and Other Stories (l899)

    October 26th
  • Theodore Dreiser primary text: Sister Carrie (l900)

    November 2nd
  • W.E.B. Du Bois primary text: The Souls of Black Folk (l903)

    November 9th
  • James Weldon Johnson primary text: Autobiography of an Ex-Colored Man (l9l2)

    November 16th
  • consultations on student projects

    November 23rd
  • consultations on student projects

    November 30th
  • consultations on student projects

    December 7th
  • REPORTS

    December 8th
  • REPORTS
  • potluck supper at professor's home




    This page was prepared by Audrey Mickahail at the Center for Electronic Projects in American Culture Studies (CEPACS), housed at Georgetown University, under the direction of Randy Bass, Department of English.


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