We shall also have to renegotiate completely another aspect of our university structure that we have taken for granted - the part which depends on 'originality' and defines our major product at the university, 'intellectual property.' Anglo-American copyright law since the Statute of Anne at the beginning of the eighteenth century has been built on print, arose from print. And since the Sayre case of 1785 (the case that first defined the two extremes of social benefit and authorial profit upon which we still proceed) and the subsequent recodification of copyright law by a Victorian statute of 1842, it has built on a second pillar - the idea of originality, or authorial substance and authority. (134)