Thomas Morton (1579?-1647?)
Contributing Editor:
Kenneth Alan Hovey
Original Audience
Most students have some knowledge of Puritans and their role in the
settlement of New England, but very few are familiar with pioneering Cavaliers
like Morton. His values, therefore, and their relation to the more familiar
swashbuckling Cavaliers of Europe need to be carefully explained. According
to his own self-description, Morton was the university educated son of
a soldier, devoted to the British crown and old English ways, and a staunch
supporter of the Church of England, its liturgy, and its holy days.
His portrait of the Indians is an attempt to show how, despite their
uncivilized state, they share many values with the traditional Englishmen
whom he takes to be his audience. The Indians' personal modesty, hospitality
to strangers, respect for authority, and even religious views mirror those
of England, and their contentment surpasses that of the English because
of their greater closeness to nature. They are swashbucklers without the
trappings of Europe, indulging in pleasures because they are natural and
upholding authority because it allows indulgence. By contrast, the Pilgrims
appear to be ill-educated rabble-rousers who despise all tradition and
authority. Devoid even of common humanity, they serve their own self-glorifying
appetites and deny the bounty that nature has left open to all.
Questions for Reading and Discussion/ Approaches to Writing
Morton is best read beside Bradford
to bring out the full contrast between their views of Cavaliers, Indians,
and Pilgrims. Morton also provides an interesting contrast in style to
Bradford. Both works are highly rhetorical, but where Bradford uses his
rhetoric to magnify God and humbly to minimize his poor persecuted people,
Morton uses his to satirize those same people and to flaunt the superiority
of his own wit and learning. All students should be able to pick out the
clear cases of Morton's fictionalizing, especially in the account of Standish's
response to Morton's escape, and some may see how he uses Don Quixote
and medieval romance to shape his own mock-romance.
The contrast between Morton and Bradford
can serve not only to establish the relative credibility of the two
authors and the nature of their rhetoric, but to raise important moral
questions about the whole colonial endeavor, especially with respect to
the Indians. Were the Pilgrims, for instance, inhumane in denying the Indians
firearms? Did Morton display true humanity in encouraging the Indians,
male and female, to party with him and his men? To what extent could both
groups be called hypocritical? Did British culture corrupt natural Indian
ways or did Indian ways corrupt in different ways both the industrious
Pilgrims and the pleasure-loving Cavaliers? Can the meeting of two such
different cultures ever bring out the best in both, especially when each
is itself divided into tribes or factions? Such questions rise naturally
from much of colonial literature but perhaps most glaringly from Morton's
work.